Line and Form
by Walter Crane
Publisher: G. Bell & Sons, Ltd. 1900
The substance of the following chapters on Line and Form originally formed a series of lectures delivered to the students of the Manchester Municipal School of Art. There is no pretension to an exhaustive treatment of a subject it would be difficult enough to exhaust, and it is dealt with in a way intended to bear rather upon the practical work of an art school, and to be suggestive and helpful to those face to face with the current problems of drawing and design.
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by Henry Blackburn - W. H. Allen & Co.
The object of 'The Art of Illustration' is to explain the modern systems of Book and Newspaper Illustration, and especially the methods of drawing for what is commonly called 'process', on which so many artists are now engaged.
by Diane Waldman - Solomon R. Guggenheim Foundation
Displaying variety and conceptual advancement, this catalogue demonstrates the evolution of American artistic expression. The progression of the medium is traced through the work of Arthur Dove, Marcel Duchamp, Jackson Pollock, Roy Lichtenstein, etc.
by Dorothy Furniss - Bridgman Publishers
We must think with the brush and the pencil; we must think first and then draw round our 'think'. I hope that this book may help you to arrange your thoughts. It is but a helping hand on the broad highway that leads to the great world of art.
by Kenneth D. Keele, Jane Roberts - Metropolitan Museum of Art
These drawings of the human body by Leonardo are based on the artist's own anatomical dissections and show his evolving understanding of physiology. The drawings demonstrate Leonardo's progress from technical mastery to consummate draftsmanship.