Line and Form
by Walter Crane
Publisher: G. Bell & Sons, Ltd. 1900
The substance of the following chapters on Line and Form originally formed a series of lectures delivered to the students of the Manchester Municipal School of Art. There is no pretension to an exhaustive treatment of a subject it would be difficult enough to exhaust, and it is dealt with in a way intended to bear rather upon the practical work of an art school, and to be suggestive and helpful to those face to face with the current problems of drawing and design.
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by Diane Waldman - Solomon R. Guggenheim Foundation
Displaying variety and conceptual advancement, this catalogue demonstrates the evolution of American artistic expression. The progression of the medium is traced through the work of Arthur Dove, Marcel Duchamp, Jackson Pollock, Roy Lichtenstein, etc.
by James Parton - Harper & brothers
In this book there is a greater variety of pictures of a comic and satirical cast than was ever before presented at one view. Many nations, ancient and modern, are represented in it, as well as most of the names identified with art of this nature.
by Cooper, Maurice - Dodd, Mead and Company
While the impulse to satirize public men in picture is probably as old as satiric verse, the political cartoon, as an effective agent in molding public opinion, is essentially a product of modern conditions. Its success depends upon its timeliness.
by Kenneth D. Keele, Jane Roberts - Metropolitan Museum of Art
These drawings of the human body by Leonardo are based on the artist's own anatomical dissections and show his evolving understanding of physiology. The drawings demonstrate Leonardo's progress from technical mastery to consummate draftsmanship.