Line and Form
by Walter Crane
Publisher: G. Bell & Sons, Ltd. 1900
The substance of the following chapters on Line and Form originally formed a series of lectures delivered to the students of the Manchester Municipal School of Art. There is no pretension to an exhaustive treatment of a subject it would be difficult enough to exhaust, and it is dealt with in a way intended to bear rather upon the practical work of an art school, and to be suggestive and helpful to those face to face with the current problems of drawing and design.
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by Charles Lewis Hind - G. Newnes
A quick study into the methods and style of Da Vinci's drawings and art. Leonardo found in drawing the most stimulating way of self-expression. The use of pen and crayon came to him as naturally as the monologue to an eager and egoistic talker.
by George B. Bridgman - Pelham, N.Y.
Learn how to draw the human figure with the practical and effective method made famous by a leading art instructor. Bridgman simplifies complex anatomy problems into simple structures before exploring the muscle patterns into more complex detail.
by John Ruskin - J. M. Dent
This book contains new illustrations and interesting notes and explanations to help students through the process of drawing. This classic retains its relevance some 150 years after its first appearance and should be on every artist's bookshelf.
by Harold Speed - Seeley, Service & Co.
Classic approach to the dynamics of drawing by brilliant teacher with insights and practical advice on line drawing, mass drawing, visual memory, materials and much more. 93 plates and diagrams reinforce Speed's clear presentation.