Modern painting, its tendency and meaning
by S. S. Van Dine
Publisher: Dodd, Mead 1922
Number of pages: 408
This book inquires first into the function and psychology of all great art, and endeavours to define those elements which make for genuine worth in painting. Next it attempts to explain both the basic and superficial differences between ancient and modern art and to point out, as minutely as space will permit, the superiority of the new methods over the old.
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by Arthur Upham Pope - Harvard university press
This pamphlet has been written primarily for the needs of the students in the courses in drawing and painting in Harvard University and Radcliffe College; but as an elementary statement of the theory of tone relations, it may be of use to others.
by S. L. Bensusan - T. C. & E. C. Jack
Before Velazquez even artists forget their controversies; he stands, like Bach and Beethoven in the world of music, respected even by those who do not understand. He has marched unchallenged to the highest place in men's regard.
by Hollis Clayson - Yale University Press
The volume illuminates not only the imagery of prostitution but also issues relating to women and men in a patriarchal society. It discusses the conspicuous sexual commerce during this era and the panic about the deterioration of social life.
by Walter Crane - G. Bell & Sons, Ltd.
The substance of the following chapters on Line and Form originally formed a series of lectures delivered to the students of the Manchester Municipal School of Art. There is no pretension to an exhaustive treatment of a subject.