by Lawrence Alloway
Publisher: Solomon R. Guggenheim Foundation 1964
Number of pages: 75
This exhibition is conceived with a minimum of restrictive scaffolding. The term 'drawing' is applied loosely; it is meant to connote a medium of great immediacy conducive to direct materialization of a concept, rather than implying the elimination of color or an insistence upon other technical restrictions.
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by Dorothy Furniss - Bridgman Publishers
We must think with the brush and the pencil; we must think first and then draw round our 'think'. I hope that this book may help you to arrange your thoughts. It is but a helping hand on the broad highway that leads to the great world of art.
by DeWitt MacKenzie
Paintings by army artists during WW2, from the home front, Italy, Burma, the air war over Europe, the fighting in France, and the Pacific. Artwork, some realistic, some impressionistic, some drawings, some paintings, all done from life.
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A quick study into the methods and style of Da Vinci's drawings and art. Leonardo found in drawing the most stimulating way of self-expression. The use of pen and crayon came to him as naturally as the monologue to an eager and egoistic talker.
by George B. Bridgman - Pelham, N.Y.
Learn how to draw the human figure with the practical and effective method made famous by a leading art instructor. Bridgman simplifies complex anatomy problems into simple structures before exploring the muscle patterns into more complex detail.