by Elly Konijn
Publisher: Amsterdam University Press 2000
Number of pages: 208
The book's survey of the various dominant acting styles is followed by an analysis of the current state of affairs regarding the psychology of emotions. By uniting the psychology of emotions with contemporary acting theories, the author is able to come to the conclusion that traditional acting theories are no longer valid for today's actor.
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This paper presents one of the task of project Invisibilia Project and confirms that the term ''digital creativity'' represents a disperse notion in which a number of different definition developed along last decades are merged.
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