Tone Relations in Painting
by Arthur Upham Pope
Publisher: Harvard university press 1922
Number of pages: 88
This pamphlet, a large portion of which ia typewritten form has been in use for several years, has been written primarily for the needs of the students in the courses in drawing and painting in Harvard University and Radcliffe College; but as an elementary statement of the theory of tone relations, containing also a certain amount of new contribution to the subject, it may be of use to others.
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by DeWitt MacKenzie
Paintings by army artists during WW2, from the home front, Italy, Burma, the air war over Europe, the fighting in France, and the Pacific. Artwork, some realistic, some impressionistic, some drawings, some paintings, all done from life.
by S. L. Bensusan - T. C. & E. C. Jack
A serious artist who added to splendid natural gifts a steadfastness of purpose, a determination to do his best, a love of Andalusia, and a devotion to the religion in which he was brought up that must compel the admiration of thinking men.
by S. S. Van Dine - Dodd, Mead
This book inquires into the function of all great art, and defines those elements which make for genuine worth. It explains both the basic and superficial differences between ancient and modern art and points out the superiority of the new methods.
by Nanae Momiyama - Japan Society
Sumi-e, or ink and brush painting, must be discussed in terms of the religion and philosophy it expresses. Sumi-e was the art of Zen priests, it is thus an expression of Zen Buddhism, a religion of selfdiscipline, concentration, and contemplation.