Logo

Tone Relations in Painting by Arthur Upham Pope

Large book cover: Tone Relations in Painting

Tone Relations in Painting
by

Publisher: Harvard university press
ISBN/ASIN: 1313426474
Number of pages: 88

Description:
This pamphlet, a large portion of which ia typewritten form has been in use for several years, has been written primarily for the needs of the students in the courses in drawing and painting in Harvard University and Radcliffe College; but as an elementary statement of the theory of tone relations, containing also a certain amount of new contribution to the subject, it may be of use to others.

Home page url

Download or read it online for free here:
Download link
(multiple formats)

Similar books

Book cover: Modern painting, its tendency and meaningModern painting, its tendency and meaning
by - Dodd, Mead
This book inquires into the function of all great art, and defines those elements which make for genuine worth. It explains both the basic and superficial differences between ancient and modern art and points out the superiority of the new methods.
(16636 views)
Book cover: Cathedral Cities of Spain: 60 reproductions from original water coloursCathedral Cities of Spain: 60 reproductions from original water colours
by
Probably the most interesting moments of the trip abroad by the architectural students are those spent in sketching bits of interest in water color. Nothing is so helpful, so reminiscent as these same notes of color when viewed in alter years.
(17139 views)
Book cover: A Text-Book of the History of PaintingA Text-Book of the History of Painting
by - Longmans, Green and Co
This textbook provides concise history of painting for class-room use in schools and colleges. It is given a short critical estimate of the individual painter and his rank among the painters of his time rather than the detailed facts of his life.
(17769 views)
Book cover: Elements of Modern PaintingElements of Modern Painting
by - Solomon Guggenheim Foundation
Messer dissects the elements of modern painting for an uninformed audience by describing basic tenants of modern painting. The intended audience consists of museum visitors who find themselves unprepared for the new language of contemporary art.
(13284 views)