Historical Painting Techniques, Materials, and Studio Practice
by Arie Wallert, Erma Hermens, Marja F. J. Peck (eds)
Publisher: Oxford University Press 1995
Number of pages: 241
Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas.
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by S. L. Bensusan - T. C. & E. C. Jack
The name of Peter Paul Rubens is written so large in the history of European art, that all the efforts of detractors have failed to stem the tide of appreciation that flows towards it. Rubens was a great master in nearly every sense of the term.
by DeWitt MacKenzie
Paintings by army artists during WW2, from the home front, Italy, Burma, the air war over Europe, the fighting in France, and the Pacific. Artwork, some realistic, some impressionistic, some drawings, some paintings, all done from life.
by Nanae Momiyama - Japan Society
Sumi-e, or ink and brush painting, must be discussed in terms of the religion and philosophy it expresses. Sumi-e was the art of Zen priests, it is thus an expression of Zen Buddhism, a religion of selfdiscipline, concentration, and contemplation.
by S. L. Bensusan - T.C. & E.C. Jack
Titian was one of the most versatile of Italian painters, equally adept with portraits, landscape backgrounds, and mythological and religious subjects. His painting methods would exercise a profound influence on future generations of Western art.