by S. L. Bensusan
Publisher: T.C. & E.C. Jack 1909
Number of pages: 106
Titian was one of the most versatile of Italian painters, equally adept with portraits, landscape backgrounds, and mythological and religious subjects. His painting methods, particularly in the application and use of color, would exercise a profound influence not only on painters of the Italian Renaissance, but on future generations of Western art.
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by DeWitt MacKenzie
Paintings by army artists during WW2, from the home front, Italy, Burma, the air war over Europe, the fighting in France, and the Pacific. Artwork, some realistic, some impressionistic, some drawings, some paintings, all done from life.
by Nanae Momiyama - Japan Society
Sumi-e, or ink and brush painting, must be discussed in terms of the religion and philosophy it expresses. Sumi-e was the art of Zen priests, it is thus an expression of Zen Buddhism, a religion of selfdiscipline, concentration, and contemplation.
by Estelle M. Hurll - The Riverside Press
We are dealing here with a master whose import is always serious, and whose artistic individuality is strongly impressed on all his works, either in sculpture or painting. Our selections represent his best work in both arts.
by Thomas M. Messer - Solomon Guggenheim Foundation
Messer dissects the elements of modern painting for an uninformed audience by describing basic tenants of modern painting. The intended audience consists of museum visitors who find themselves unprepared for the new language of contemporary art.