by Elly Konijn
Publisher: Amsterdam University Press 2000
Number of pages: 208
The book's survey of the various dominant acting styles is followed by an analysis of the current state of affairs regarding the psychology of emotions. By uniting the psychology of emotions with contemporary acting theories, the author is able to come to the conclusion that traditional acting theories are no longer valid for today's actor.
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by Antonio Pizzo - Universita degli Studi di Torino
This paper presents one of the task of project Invisibilia Project and confirms that the term ''digital creativity'' represents a disperse notion in which a number of different definition developed along last decades are merged.
by Ernest Govett - G. P. Putnam's Sons
Contents: Classification of the Fine Arts; Law of Recognition in the Associated Arts; Law of General Assent; Limitations of the Associated Arts; Degrees of Beauty in the Painter's Art; Expression; Landscape; Still-life; Secondary Art; Colour; etc.
by Alfred Downing Fripp, Ralph Thompson - Seeley
Concise guide to rendering the human body in art. Illustrations and cross-sections give readers examples of human skeletal and muscular substructures and details of individual body parts, to enable precise visual recreation of human form and motion.
by Barbara Burn - Metropolitan Museum of Art
Housing one of the finest collections in the world, The Metropolitan Museum of Art is a living encyclopedia of art. Insightful text opens each section and provides historical background, while in-depth commentary accompanies each featured work.