by George B. Bridgman
Publisher: Pelham, N.Y. 1920
Number of pages: 228
Learn how to draw the human figure with the practical and effective method made famous by a leading art instructor. Bridgman first simplifies complex anatomy problems into simple structures before exploring the muscle patterns into more complex detail. This allows the artist to see the particular anatomy problem as a proportional mass rather than a complex network of muscle fibers.
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by James Parton - Harper & brothers
In this book there is a greater variety of pictures of a comic and satirical cast than was ever before presented at one view. Many nations, ancient and modern, are represented in it, as well as most of the names identified with art of this nature.
by Cooper, Maurice - Dodd, Mead and Company
While the impulse to satirize public men in picture is probably as old as satiric verse, the political cartoon, as an effective agent in molding public opinion, is essentially a product of modern conditions. Its success depends upon its timeliness.
by Walter Crane - G. Bell & Sons, Ltd.
The substance of the following chapters on Line and Form originally formed a series of lectures delivered to the students of the Manchester Municipal School of Art. There is no pretension to an exhaustive treatment of a subject.
by Kenneth D. Keele, Jane Roberts - Metropolitan Museum of Art
These drawings of the human body by Leonardo are based on the artist's own anatomical dissections and show his evolving understanding of physiology. The drawings demonstrate Leonardo's progress from technical mastery to consummate draftsmanship.