Perceptual Coding of Digital Audio
by Ted Painter, Andreas Spanias
Publisher: Arizona State University 1999
Number of pages: 66
This paper reviews algorithms for perceptually transparent coding of CD-quality digital audio, including both research and standardization activities. The authors concentrate on architectures and applications of the techniques that utilize psychoacoustic models to exploit efficiently masking characteristics of the human receiver.
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by David Michael Cottle - University of California, Santa Barbara
This is a compilation of course materials in Music Technology, Digital Synthesis, and Computer Assisted Composition. It blends electro-acoustic composition exercises with SC and OOP topics. The goal is getting actual sounds as quickly as possible.
by Evan X. Merz
The book introduces audio programming to Processing programmers through the Beads library. It covers topics such as synthesis, sampling and general sound-mangling in such a way that is appropriate for beginners, or more experienced programmers.
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by Julius O. Smith III - DSPRelated.com
This book was developed for a course entitled 'Signal Processing Methods in Musical Acoustics'. The text was created primarily as a research preparation and dissemination vehicle intended for graduate students in computer music and engineering.