Perceptual Coding of Digital Audio
by Ted Painter, Andreas Spanias
Publisher: Arizona State University 1999
Number of pages: 66
Description:
This paper reviews algorithms for perceptually transparent coding of CD-quality digital audio, including both research and standardization activities. The authors concentrate on architectures and applications of the techniques that utilize psychoacoustic models to exploit efficiently masking characteristics of the human receiver.
Download or read it online for free here:
Download link
(710KB, PDF)
Similar books
Computer Music with Examples in SuperCollider 3by David Michael Cottle - University of California, Santa Barbara
This is a compilation of course materials in Music Technology, Digital Synthesis, and Computer Assisted Composition. It blends electro-acoustic composition exercises with SC and OOP topics. The goal is getting actual sounds as quickly as possible.
(10296 views)
The Music Internet Untangledby Andy Breeding - Giant Path Publishing
A primer on the different types of online music services and how to use them for music discovery. Though somewhat dated, the fundamentals haven't changed. The chapters on the types of services and music information on the net have remained relevant.
(20538 views)
Loadbang: Programming Electronic Music in Pure Databy Johannes Kreidler - Wolke Verlagsges. Mbh
The book is designed for self-study, principally for composers. It begins with explanations of basic programming and acoustic principles then gradually builds up to the most advanced electronic music processing techniques.
(13264 views)
Audio Signal Processingby Vesa Valimaki - MDPI AG
Audio signal processing is a highly active research field where digital signal processing theory meets human sound perception and real-time programming requirements. It has a wide range of applications in computers, gaming, music technology, etc.
(10142 views)