by William J. Long
Publisher: Ginn and Co 1909
Number of pages: 636
William J. Long's presentation on the history of English literature from Anglo-Saxon times to the close of the Victorian Era. The book has three specific aims: (1) to create or to encourage in every student the desire to read the best books, and to know literature itself rather than what has been written about literature. (2) To interpret literature both personally and historically, that is, to show how a great book generally reflects not only the author's life and thought but also the spirit of the age and the ideals of the nation's history. (3) To show, by a study of each successive period, how our literature has steadily developed from its first simple songs and stories to its present complexity in prose and poetry.
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by Eugene Stelzig - Milne Library
This discussion - written almost four decades ago - of the deep affinities between Dylan's song poetry and the Romantics, especially William Blake, is one of the early 'scholarly' as opposed to popular appreciations of Dylan's art ...
by M. Michelle Robinson - University of Michigan Press
The book offers new arguments about the origins of detective fiction in the US, tracing the lineage of the genre back to unexpected texts and uncovering how authors made use of the genre's puzzle-elements to explore the dynamics of race and labor.
by Walter Lionel George - W. Collins Sons & Co
The book expresses the fluctuating feelings aroused in the author by the modern novel and its treatment at the hands of the public. The chapters on 'Falstaff,' 'The Esperanto of Art,' and 'The Twilight of Genius' have been included.
by Albert Mordell - Boni and Liveright
This work is an endeavour to apply some of the methods of psychoanalysis to literature. It attempts to read closely between the lines. It applies some principles in interpreting literature with a scrutiny hitherto scarcely deemed permissible.