The Last Great American Picture Show: New Hollywood Cinema in the 1970s
by Thomas Elsaesser et al.
Publisher: Amsterdam University Press 2004
Number of pages: 395
Identified with directors such as Sam Peckinpah, Arthur Penn, Peter Bogdanovich, Monte Hellman, Bob Rafelson, Hal Ashby and Robert Altman, American cinema of the 1970s is long overdue for this re-evaluation. Many of the films have not only come back from oblivion, as the benchmark for new directorial talents. They have also become cult films in the video shops and the classics of film courses all over the world.
Home page url
Download or read it online for free here:
Filmmaking is the process of making a film. The nature of the film determines the size and type of crew required during filmmaking. This manual is intended as a complete guide to filmmaking, the emphasis is on the practical.
by Thomas Elsaesser - Amsterdam University Press
In the face of renewed competition from Hollywood since the early 1980s, independent filmmaking in Europe has begun to re-invent itself. This book presents a broader framework for understanding the forces at work since the 1960s.
by Roland Reiter - Transcript-Verlag
This book provides the production history and a contextual interpretation of The Beatles' movies (A Hard Day's Night, Help!, Yellow Submarine, Let It Be) and describes their ability to project the group's image at different stages in their career.
by Paul Grainge (ed.) - Manchester University Press
'Memory and popular film' uses memory as a specific framework for the cultural study of film. Taking Hollywood as its focus, this timely book provides a sustained, interdisciplinary perspective on memory and film from early cinema to the present.